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Jan Arbogast
Pat Sellers
Judy Rehmel

Jan Arbogast

 

Ceramics

Jan Arbogast is a native of New Orleans who  came to Indiana University where she studied ceramics with Karl Martz. During her first year at IU, a visiting professor from Japan taught her a love of throwing on the wheel. Since that time she has honed her skills to produce hand-thrown stoneware under the name Four Seasons Pottery.

Jan holds a Bachelor of Arts in Comparative Literature from Indiana University. Her pottery interests and skills led her to earn a Master of Science in Art Education with a focus on ceramics. Jan shares her knowledge and skills by teaching ceramics classes to both children and adults at the John Waldron Art Center in Bloomington, Indiana. She has also taught at the Bloomington Potters’ Cooperative.

Jan is a member of the Bloomington Potters’ Cooperative, Bloomington Area Arts Council, Brown County Craft Guild and serves on the Fourth Street Festival Committee. She lives in Bloomington with her husband, Keith.

Artist's Statement:

When I began my study of pottery-making, I learned from my teacher, Karl Martz, that pots are made from the inside out. To have integrity, the exterior of a pot must be a reflection of the interior. To make a vase or a bowl is to make the inside of the form. Similarly, the Japanese speak of a person who has eyes to see things -- one who not only sees the thing but sees into it.
The art of making pottery is permeated with the nature of things; both the outward and the inward, the visible and the invisible. The beauty of hand-made pottery reflects the beauty and rhythm of nature. It is a beauty that is especially appeasing because it defies the artificial precision of technology, and results in something that follows the timeless flow of nature.
The rhythm of the seasons is felt in the process of potting. In the full, static heat of summer, pots take forever to dry, as if reluctant to meet the fire; while in the crispness of autumn they hurry into the kiln. Winter is a time when preparation takes longer; the studio must be warmed, the clay is cold and stiff, the focus is on planning. Spring brings a renewed ease of working and the pots seem to come on with the energy of spring flowers. As the seasons repeat year after year, the cycle of making pots repeats - the clay is worked and forms come into being, always something new and something timeless.


 

 

 

Four Seasons Pottery
 (812) 333-2313

 

E-mail: warbogas@indiana.edu